I'm Anna

I thrust in contemporary photography
as the best language to tell a wedding story.




My educational background was in the field and I received a diploma from the Bauer Photography School of Milan. 

Through constant personal and professional research I have understood the importance of photography in its most intimate aspect, and I decided to undertake this adventure making no compromises. I offer wedding photography with a professional, narrative and artistic approach, and top quality artistic prints are my strong point, made directly by me and aimed at creating unique certified artistic works.

My philosophy is that of a project: when a photography project is created, I look for a story flow for significant pictures, free of clichés, that place priority natural light. For each event there is always a brainstorming session and preliminary planning phase regarding the people, places and the events that will happen. 

My idea is to give our clients something unique, extremely personal and intimate, and depict them in the work I give them.

I work with utmost respect for deadlines and my presence is discreet. I will help you fill out a wish list during meetings to prepare for our photography service along with your expectations and the people who you want to see highlighted in your photos. This will let us act with confidence on the day of your ceremony and not leave anything up to chance.

We like simple, natural and direct, refined project artistic photography with a careful composition but never expected and repetitive; we enjoy the ambiance created by natural light and the variations of shades and colors that nature creates. We adore recounting the places, people, gestures, details and relations that are naturally created between these elements. We do not like photography as an end in itself without a narrative effect, or “boasting”, sensational, inhomogeneous, excessive, busy and blaring photography.


How I work: the photography project and MY love of film

My philosophy is that of a project: when a photography project is created, I look for a story flow for significant pictures, free of clichés, that place priority natural light.

For each event there is always a brainstorming session and preliminary planning phase regarding the people, places and the events that will happen. My idea is to give my clients something unique, extremely personal and intimate, and depict them in the work I give them.

I work with utmost respect for deadlines and my presence is discreet. I will help you fill out a wish list during meetings to prepare for my photography service along with your expectations and the people who you want to see highlighted in your photos. This will let me act with confidence on the day of your ceremony and not leave anything up to chance.

I like simple, natural and direct, refined project artistic photography with a careful composition but never expected and repetitive; I enjoy the ambiance created by natural light and the variations of shades and colors that nature creates.

I adore recounting the places, people, gestures, details and relations that are naturally created between these elements. I love working with film, not because of its vintage or high fashion aspect but due to its direct and indexing relationship with the subject, and because it is made of material and not bits.

I do not like photography as an end in itself without a narrative effect, or “boasting”, sensational, inhomogeneous, excessive, busy and blaring photography.


Straight Photography

For the way I view photography, it becomes essential to protect people, their identity made up of glimpses, body language and real relationships with the other actors of the day. My commitment is to perform direct photography, without any artifices, poses or specifically created situations, carefully dealing with the composition and esthetic aspect, handling the language and the consistency of the created images and leaving people free to enjoy the day. And this is what lets me provide the best results, without that useless overtone that adds nothing to photography.

Analog photography

For me creating real reportages on film is absolutely not a mere question of style and I'm actually thrilled when clients order film. Analog represents the most direct contact that exists between the subject and photographic image, it is semi-indexing since a part of the subject is brought by a beam of light directly on the film and remains there forever. In addition to this, working with film for me creates a much closer and direct contact with whatever is going on in front of us, the creation of a smaller quantity of pictures is not a negative sign, analog images are finished images and not the performance of a high number of attempts and alternatives, an attitude resulting from digital photography. I also use square medium format machines which have created the history of artistic photography such as that of Diane Arbus, Richard Avedon and Ansel Adams.

Fine Art Printing

Despite the fact that the digital age has moved photographers’ and clients’ needs away from printing in the wedding world, I'm strongly convinced that a photograph cannot be considered one if it is not printed on a support. For this reason and thanks to my experience in the academic and professional world in terms of analog and digital printing, I decided to create in-house printing all on very high quality paper in fine art cotton fiber. Being able to complete my photographic work in my books, entirely performed by me.